Smooth decay at all settings, from short to near-eternal. Drums come alive when sent through Dirty Plate. High echo density, wide stereo image, and just the right amount of metallic sheen. All the warm and gritty artifacts of Dirty Hall, applied to an old-school digital plate algorithm. Plug in your analog synth and send yourself into retro sci-fi heaven.ĭirty Plate (new in 1.5.0). Lusher and denser than the Concert Hall algorithm, with loads of warmth and grit on tap, for a roughly hewn beauty. A fresh look at the Concert Hall algorithm, with the goal being to emulate the strange fixed point and convertor artifacts of early 80s reverb hardware. Sanctuary incorporates the bit reduction and floating-point gain control used in the A/D and D/A convertors of the early digital hardware.ĭirty Hall (new in 1.5.0). Discrete early reflections, a dense late reverb that rapidly builds in echo density, lush detuned modulation. Inspired by a classic German digital reverberator from the 1970s. Useful for adding “air” to drums, vocals, and any place where a reverb should be felt but not heard. Combines time varying randomized early reflections with a full-featured reverb tail, with the balance between early and late reverb controlled by the Attack knob. Same as Random Space, but with the delay randomization replaced with lush chorused modulation.Īmbience. The modulation uses internal delay randomization, to reduce metallic artifacts without the pitch change that can occur in the algorithms with chorused modulation.Ĭhorus Space. This generates DEEP and WIDE reverbs, with a slow attack, and more diffusion than the late 1980s algorithms that inspired it. Highly diffuse, high echo density, less coloration than Plate/Room algorithms, chorused modulation. Medium diffusion/early echo density, somewhat darker sound, chorused modulation.Ĭhamber. Emulates the sound of early 1980s room algorithms. Highly diffuse, bright initial sound, high echo density, lush chorused modulation. Inspired by early 1980s plate algorithms. Similar to the Concert Hall algorithm, but with a brighter initial sound, and deeper and lusher modulation. Huge spatial image, echo density that can be adjusted from very sparse to very dense, and lush chorusing modulation.īright Hall. Based on the hall algorithms of the late 1970s and early 1980s. ValhallaVintageVerb is a postmodern reverb plugin, inspired by the classic hardware digital reverbs of the 1970s and 1980s.Ĭoncert Hall. Listen: Valhalla DSP has come unstuck in time.
VALHALLA VINTAGE VERB 1.5.0 KEY DOWNLOAD
Supermassive is available now as a free download for macOS & Windows.TEAM R2R 2015.02.03 | WiN: 2.79 MB | MAC: 5.1 MB These are weird, tricky reverb & delay algorithms, and we’re offering them to you in the spirit of exploration! In order to help guide you on your curiosity voyage, we’ve created a number of presets under the LATE 2021 preset folder that showcase some of the applications of Cassiopeia and Orion.” Orion and Cassiopeia are definitely not conventional reverbs. Here’s an example of a single Orion instance used to get a long modulated looping echo: Turn up the Warp and Density values, and you will get truly massive modulated reverbs that can last for upwards of several minutes. Set Orion to the same settings as listed above for Cassiopeia, and you can get a mysterious echo that has a noticeable pulse on every 8th repeat. Orion is “twice as big” as Cassiopeia under the hood, but this results in much longer reverbs and echoes than Orion, due to some laws of reverb physics that are a mystery even to me. In this piece, I’m using 2 instances of Cassiopeia, once for a reverb that starts sparse and gets denser, and another for the pulsing repetitive echo: One of my favorite settings is to set Warp to 0%, and use Density and Feedback to get echos that have a noticeable pulse on every 4th repeat. In general, you will get shorter decays and echo patterns when using Cassiopeia, compared to Orion. The Density control also has a lot of influence on the reverb decay, with high density settings resulting in very long decays regardless of the Feedback setting.Ĭassiopeia is the “smaller” of the two algorithms. Both Orion and Cassiopeia can sound quite sparse at the beginning of their decay, but can quickly build in echo density with non-zero settings of the Density control. “These are WEIRD reverb algorithms, based on some advanced extensions of Michael Gerzon’s feedback delay network theory. Here’s what Costello has to say about them:
VALHALLA VINTAGE VERB 1.5.0 KEY UPDATE
The 1.5.0 update to Supermassive adds two new reverb modes, Orion and Cassiopeia. The plugin is designed for “luscious clouds of reverb, otherworldly delays, and swelling waves of feedback”, according to the developer. Supermassive is considered by many to be one of the best free effects plugins available. Valhalla DSP’s Sean Costello has released a free update to his free reverb/delay plugin, Valhalla Supermassive.
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